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      Digital 101 – I/O Connectivity Specs 5-2-99  
Enabling
      Technologies – A Connected Digital Progression Unleashed! Update: See End Of Article –
      June 7, 2001
        
          PC
          Computer Audio Technologies
          WavToMidi
          Conversions
          Translator
          - Pro Sampler Audio ConversionsSMDI
          – SCSI Musical Data Interchange   All of this technology yet how do we
      make the connections work for us instead of against us?How do we keep digital in the
      digital domain without converting back and forth in analog formats through
      AD/DA converters? The Computer Audio/Video scene exemplifies new digital
      opportunities into ‘Desktop Digital Media Creation.’ Everything boils
      down to the end result – What’s our preferred method of transport
      & delivery now and later including MiniDisc, MP3, MP4, FireWire (IEEE
      1394 – i.Link) 400 Mbps; S/PDIF (electrical & optical [TOSLinkTM
      mini]), etc. Trying to connect your CD-ROM S/PDIF
      (Sony Philips Digital InterFace) connector to your sound card or MiniDisc
      Deck? Having trouble understanding S/PDIF digital I/O connections on
      SoundBlaster Live! audio cards and CD-ROM’s? The S/PDIF connector exists
      on most CD-ROM drives. Not all CD Drives activate this connection. Even
      fewer drive manufacturers mention S/PDIF use. Just want to have fun preserving
      those old 33’s, 45’s or classic 78 LP’s onto your very own CD? Too
      much scratchy noise you say? Easy to fix! All of this and more can be done
      on today’s PC’s. In this article, we’ll highlight digital S/PDIF I/O
      connectivity issues and technologies. The relevancy pertains to sound
      cards, CD-ROM’s and MiniDisc S/PDIF (electrical & optical [TOSLinkTM])
      connections.   Sony
      VAIO Digital Studio – The
      “Digital 101 I/O” title derives from Sony’s 2nd
      stab into this web of digital fabric we now weave. VAIO is a graphical
      interpretation of the convergence of the analog and digital worlds (sine
      wave to the binary 101010). VAIO
      (pronounced "vie-oh"), stands
      for Video Audio
      Integrated
      Operation and
      represents the concept behind Sony's multimedia computer products.
      Sony’s goal of
      lifestyle integration is represented by the VAIO concept. Even
      though we do not recommend
      a ‘ready built’ PC Computer box, Sony’s VAIO has most everything you
      want in one box except room for future expansion. The
      Gotcha’s:Limited Hardware
      Expandability - (1) available PCI Slot and (1) available 3˝-inch concealed
      drive bay.
 The
      Hardware Pluses:1.) FireWire
      (IEEE-1394) a.k.a. Sony I.LinkTM
      (S400) – Video / Audio (In/Out) Link.
 2.) TOSLink
      a.k.a. LightPipe (developed by Toshiba), S/PDIF-optical audio link (AC-3 Dolby
      Digital Audio
      Out) and
 3.) S.LinkTM
      (Control-A1 technology) – The Control Link interface, so
      far, exclusive to Sony.
 Sony
      has taken their VAIO PC from a top of the line PII-450, 128 Megs of Ram,
      13 Gig HD and DVD-ROM Drive to a PIII-500 with CD-RW. You may still be
      able to purchase the PII-450 from either the Online Sony Factory Outlet or
      Sony Factory Outlet Store in San Marcos, Texas (512) 396-1882. If you want
      VAIO, get a refurbished or customers return merchandise, with same ‘like
      new’ purchase warranties for a better deal. To see VAIO, go to
      MicroCenter where they may have the older PII-400’s available. Sony
      dropped the PII-450’s upon introduction of the newer PIII-500’s. These
      PIII’s are too expensive considering what you get for now.   Linking
      Technologies – Although IEEE 1394 is an 
      "open standard," the i.LINK™ Sony name and logo brand the
      digital interface for high-speed communication on Sony products.
      Computers, peripherals, audio and digital camera products with i.LINK
      ports can be hooked together with a single cable for both data
      transmission/reception and control. Eventually we’ll see new motherboard
      chipsets, which have built-in native support of these high-speed
      technologies. IEEE 1394 / FireWire cables are still pricey and hard to
      find. See: www.monstercable.com S-Link™ (Control A1) Control system was
      designed to simplify the operation of audio systems composed of separate
      Sony components. Control A1 connections provide a path for the
      transmission of control signals, which enable automatic operation and
      control features usually associated with integrated systems. For example,
      Control A1 connections between a Sony MiniDisc deck, CD changer, and VAIO
      Digital Studio Computer provide automatic function selection and
      synchronized recording. S-Link™ (Control A1) cables are usually included
      with Sony products which support this feature. Sony
      has incorporated another advancement in the digital world with the Optical
      Digital Audio Output (TOSLink). This technology transmits digital audio
      data from a CD changer to MiniDisc via light impulses (Optical I/O)
      instead of conventional electronic signal, allowing for a clearer, crisper
      audio recording. TOSLink / Optical I/O cables are moderately priced
      depending upon manufacturer. Currently, MiniDisc TOSLink (Optical I/O) is
      for single digital copies. SCMS does NOT allow multiple digital copies.   The
      Sony Philips
      (Audio) Digital
      InterFace
      – S/PDIF Electrical Or S/PDIF Optical? Not all S/PDIF connections wearing the
      same moniker are the same pin compatible, electrically compatible
      connection even though they share the same generic name. Yes they can be
      made to connect with a little help. What’s the difference and why does it
      matter? Ever try connecting a Sound Blaster Live (Electrical) S/PDIF to an
      (Optical / TOSLink) S/PDIF MiniDisc Deck / Portable? For the purest,
      digital is digital and the preferred medium of choice. Once information is
      brought into the digital realm such said information is clean without
      distortion and reproducible as such. Or think of digital as no loss in
      quality over time or copy. An analog signal will eventually degrade beyond
      recovery and thus be lost forever. For example those old analog LP 78’s
      and 33’s are going to one day be history. Why not preserve their content
      by converting old LP’s to digital format thus archiving what otherwise
      might be lost. Using a PC for this makes easy use of digital technology
      – A different article. Once
      in the digital domain, what if your analog and or digital creations happen
      to require yet a different choice of media delivery? This is why we’re
      discussing linking technologies. Media changes might require going beyond
      converting RedBook audio to wave or MP3 formats or moving from CD-ROM to
      PC to portable MP3 Player or MiniDisc or even DAT and of course Computer
      Hard Drives. We do have freedom of choice. Yet for now, we have to
      overcome some of the connection hassles in the process. Notice also the
      polarized organizational alliances of companies involved. Notice the
      linking technologies to get us where we want to go with Audio, Video and
      Data.   Digital
      (Audio) Format Translator – Unless you’re handy with a
      soldering iron, Core Sound offers the ‘Digital
      Format Translator’ (DFT) to make your digital
      connections interface properly from MiniDisc to Sound Card. Both devices
      are digital, yet different formats with different connection requirements.
      The ‘Digital Format Translator’
      product costs $95, plus $6 for the optional power supply. They also offer
      Fiber Optic Cables (TOSLink / mini - TOSLink and Mini-plug). The RCA (S/PDIF)
      cables are standard 75-Ohm video cables. MiniDisc recorders are also
      equipped with SCMS (Serial Copy Management System) which limits the number
      of possible digital copies that can be made (it is not audible and does
      not affect analog copying). In other words, this enables a stream to be
      marked as an original or a copy. A DAT recorder sold for the consumer
      market or digital recording studio component should mark as a copy
      anything it records from the digital input. DAT’s are not supposed to
      allow the user to make copies of material, which is already marked as a
      copy.  Many contemporary Pro DAT recorders though may be switched
      between consumer and professional mode. Pro mode overcomes SCMS. Does SCMS
      (Serial Copy Management System) hamper our creativity? See: www.ria.org
      vs. www.hrrc.org   Two
      types of electrical
      S/PDIF – One type is commonly referred to as
      "Coax S/PDIF." The signal is typically carried along a 75ohm
      coaxial (RCA Video) cable. The signal voltage is +/-500mV. The other type
      is TTL S/PDIF (Transistor-Transistor Logic). TTL means the electrical
      signal is a 5V digital signal. Fiber-optic
      S/PDIF is called TOSLink. Less expensive MiniDisc recorders have only
      TOSLink digital inputs and outputs. If you wish to record MP3, WAV, or
      MIDI from a soundcard, you will need to convert the electrical
      S/PDIF output of the soundcard to TOSLink fiber
      optic of the MiniDisc.   TOShiba
      LINK (TOSLink) Digital – TOSLink Digital standard was
      invented by Toshiba, and is widely used on all Sony digital audio
      equipment. TOSLink transmits the S/PDIF digital audio through fiber
      optics. The interconnect cables for TOSLink consist of glass or plastic
      fiber optic cables that transmit a 660nm red light from the source device
      to the recorder's input. There are two types of TOSLink! A.) Home Audio
      TOSLink connectors are larger .25" square. B.) Portable Audio mini-TOSLink
      connectors resemble 1/8" mini-plug (headphone-type) connectors. Most
      portable CD or MiniDisc players have multifunction jacks which act as both
      analog and digital input (or output) jacks. When an analog plug is
      inserted, the MiniDisc recorder auto-detects an analog connection and
      switches on the analog circuitry. When a digital fiber-optic mini-TOSLink
      cable is plugged into the same jack, the MiniDisc recorder auto-detects a
      digital cable connection.   Coax
      Digital standard
      – Many companies utilize the Coax Digital
      I/O standard. The connectors for coax are RCA (phono, or Cinch) type
      jacks. The S/PDIF digital data is carried electrically on a coaxial cable
      (a cable with an active center conductor and an outer-grounded shield).
      Coaxial cable is the same as regular 75-ohm RCA or phono cable. Coax's
      electrical standards are +/-500mVp-p (milliVolts peak-to-peak). This means
      the digital ZEROES are represented as -500mV while the digital ONES are
      represented as +500mV.   TTL
      S/PDIF standard – TTL stands for Transistor-Transistor
      Logic. TTL S/PDIF is most commonly found on computer CD-ROM drives that
      are equipped with a digital audio output. Some inexpensive PC soundcards
      also have a TTL S/PDIF input and output. The connector type used is most
      commonly a 2-pin header. It is similar to Coax in that the S/PDIF data is
      transmitted electrically, however, where it differs is in its voltage
      levels. TTL digital ZEROES are represented as 0V, while TTL digital ONES
      are represented as +5V.   For
      S/PDIF (Sony/Philips Digital Interface) Details: If you
      don’t understand S/PDIF, read it again! Easy to see why most companies
      do NOT define S/PDIF standards to the public through documentation. The
      easiest way to understand S/PDIF – Just look! Must be that Missouri
      blood in me! (Missouri, the “Show Me” State.) Digital IS
      the future and the future is NOW! Distribution is the key. Next Up
      – MiniDisc, Internet Audio: MP3 & MP4 and Streaming Technologies. It
      all gets easier! ;)   Moving
      Forward – June 7, 2001 Update This
      article, originally written for print, though dry and l-o-n-g was very
      timely considering the Digital Desktop Recording Studio Access Revolution,
      which started full force in 1998. No longer were we relegated to consumer
      game 16 bit sound cards. We now were getting into affordable access to 24
      bit / 96 KHz pro audio / prosumer / working musician worthy audio cards
      differentiated by better specs, better drivers, better gear and better
      prices from professional level manufacturers who made Desktop Audio
      affordable by using PC Computers as our Recording Studios. As
      technology grows, we have new acronyms and terms, greater flexibility
      through better interoperability – Yamaha’s mLAN
      (1394 - FireWire), ALESIS
      20-bit
      ADAT
      optical (lightpipe) ports, etc. to name a few. We hope by making this
      information available, we’ve helped you in making sense of making it all
      work together! People And Technology Working In Concert! It’s all about
      new ways of invigorating those creative juices @ odd hours when the moment
      is right and the genius flows. Now
      CD-ROM’s with S/PDIF are mostly irrelevant since we rip CD’s as wav
      files to the HD. Even playback in real time is preferably done digitally.
      Apps such as Microsoft’s Windows Media Player 7 play back CD (RedBook)
      Audio digitally, not as analog through the little audio cable but
      digitally through the data cable. This alleviates other problems with more
      CD drives in a PC than a Sound Card has connections for them. A hardware
      problem solved by smarter software.   Resources: In
      time, we will update this resource document with further research. If you
      have a particular interest or correction, please let us know.   Gill
      Boyd,
      Former HAL-PC VP ProgramsBuildOrBuy Group
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